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He is part of a new generation of Lebanese designers who have focused their attention on showing the world what Lebanese creativity and savoir faire can produce. “The first year we participated in the Vendôme Luxury trade show, we were blown away by the level of response we received and it has definitely increased our visibility,” said the Lebanese jeweler.
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“I take a scientific approach to jewelry,” explained the designer, who studied mineralogy in Paris at the Institut National de Gemmologie and the Université de Nantes. From there he traveled to the Far East, settling in Thailand where he worked for a precious stones mining company. “For six months, I worked in an open-air ruby mining pit near the Thai-Cambodian border.” said Mr. Mouzannar, who next traveled to Yemen and Saudi Arabia where he spent four years working for the jeweler Robert Mouawad, known for having one of the largest stone collections in the world.
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Long a crossroads of cultures and religions, his Beirut-inspired collection fuses modern settings with ancient techniques, such as the use of flat-cut sapphires, rubies and amethysts set in yellow or white gold. “The flat rose-cut was an Ottoman technique brought to Lebanon. It creates a shine that is much softer to the eye,” explained Mouzannar of his creations, which often posses the quality of an heirloom.
“We all have a sense of nostalgia for a bygone era, and I am always inspired by Beirut’s traditional architecture, a lot of which was destroyed over the years,” added the designer, whose rings and earrings use motifs inspired by the distinctive arcades and balustrades found in Beirut’s old mansions and souks.
Already carried by haute retailers in London, Istanbul and Dubai, Selim Mouzannar now has his sights set on New York; making him a name to watch for in the coming years.
Images courtesy of Selim Mouzannar
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