Tuesday, December 25, 2007

How They Wear it: Princess Lalla Hasna

Princess Lalla Hasna of Morocco is the youngest daughter of the late King Hassan II. Over the last couple of years she has placed special emphasis on environmental issues in Morocco, creating in 2001 The Mohammed VI Foundation for the Protection of the Environment. She’s married to cardiologist Dr. Khalid Benharbit, with whom she has two daughters.

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Paris Couture’s Lebanese Invasion

Clockwise left: Nazik Hariri, with her 22 year old daughter Hind, who grew up accompanying her mother to many of the couture shows as well as her fittings. It is said that she has also acquired a taste for haute couture; Nazik Hariri with her late Husband Rafik Hariri in Gaultier Paris couture, Spring 2002; May Arida at her home in Beirut with one of her vintage Dior pieces; Arida photographed for American Vogue in the early 60’s; The Lebanese couturier Elie Saab with models after his show.

There is a group of couturiers from the Orient who are knocking heavily at the well guarded doors of France’s governing body of haute couture. No other country in recent years has been able to insert itself into the Paris couture scene quite as well as Lebanon and Beirut in particular, which not only has a long history of dressmaking, but can also boast several prominent fashion houses that stayed open even during its 15 years of bitter civil war.

Many of these designers began by presenting their collections during Rome’s couture week and gradually edged their way onto the Paris Couture schedule. Elie Saab, whose notoriety grew after dressing Halle Barry for the Oscars, is the most well known of this group of Lebanese couturiers. But there are also many others, including George Chakra, Zuhair Murad and George Hobeika. Although the later two are not as yet invited members on the Chambre Syndicale’s official calendar, they present their collections with the same pomp as the big houses, and exhibit the same level of craftsmanship and attention to detail that couture is known for.

Despite this, they are frequently called out by fashion critics for concentrating too heavily on eveningwear that is often ornately embroidered and brightly hued. Even if fashions pendulum were to swing towards a more austere aesthetic, one could assume that the Lebanese couturiers would not stray too heavily from this already established formula. The main reason for this is that most have built up their businesses catering to a Middle Eastern clientele, and their endless cycle of weddings, where such frocks are de rigueur. But what these couturiers cannot be faulted for is their ability to listen to their clients and give them what they want. This is apparent by the number of customers they attract each season, not only from the Middle East, but also Europe, Asia, South America and the United States. Although most of the Parisian couture houses have been experiencing an increase in sales, it is an unspoken fact within couture’s inner circle that the house attracting the largest number of customers is neither French nor Italian, but that of the Lebanese designer Elie Saab.

In addition to these designers, Paris couture houses have had a long history of attracting prominant Lebanese clients. Two such clients representing different generations are Nazik Hariri and May Arida.

Nazik Hariri, the wife of former Lebanese Prime Minister Rafik Hariri, has been a fixture on the couture scene for over 20 years. In the past she was frequently photographed front row at Valentino, Lacroix, Elie Saab and Gaultier Paris. But after the tragic death of her husband she curtailed her attendance at the shows, though she still orders pieces from the couture houses privately.

An international beauty who was photographed by American Vogue in the 60’s, May Arida is largely responsible for establishing Lebanon’s Baalbeck cultural festival, by enticing such luminaries as Jean Cocteau, Ella Fitzgerald, Maurice Béjart and Miles Davis to perform under the towering Roman columns of Baalbeck’s ancient amphitheater. From the 1950’s-70’s she was a prominent customer at Christian Dior, where she developed a close friendship with the famous designer himself. Today she owns one of the largest collections of Dior couture at her home in Beirut, which she takes meticulous care of.
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How They Wear It: Anh Duong

Anh Duong is a New York-based painter specializing in portraiture, whom Vanity Fair called "the Frida Kahlo of the 21st century." Born in 1960 in Bordeaux, France to a Spanish mother and a Vietnamese father, Duong studied architecture at the Ecole des Beaux-Arts in Paris and danced with the Franchetti Academy of Classical Dance before her regal and exotic looks launched into a successful modeling career that spanned the late 80’s through the early 90’s. She’s posed for fashion photographers Michel Comte, Peter Lindbergh, Steven Meisel and Deborah Turbeville, as well as serving as muse to designers Donna Karan, Christian Lacroix, John Galliano and Diane von Furstenberg. In 2006 she married architect Barton Quillen in a Couture dress designed for her by Christian Lacroix.

Over the years she has become a loyal Couture client at both Lacroix and Gaultier. Although couture offers customers the luxury of modifying garments to their own tastes and body, she typically doesn’t alter a couturier’s original designs.

Clockwise: Modeling backstage at Lacroix’s couture show in 1989; In Gaultier Paris, Spring 2003; Being fitted by Lacroix before a show; In Gaultier Paris, Spring 2003; In Christian Lacroix, Fall 2006; Christian Lacroix, Spring 2004.

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How They Wear It: Anne Bass

The Manhattan socialite, philanthropist, art patron, and ex-wife of billionaire investor Sid Bass, has amassed a serious couture collection since she began attending the Paris Haute Couture shows in the 1980’s. Frequently appearing on the Best Dressed list, her collection includes pieces by every major Couturier. She was a devoted client at Yves Saint Laurent before he retired. Today she is frequently seen at major events such as the New York MET’s Costume Institute Gala in Christian Lacroix and Gaultier Paris.

Bass was one of the first clients to place orders at John Galliano’s first Couture collection for Dior. In particular a dazzling acid-green mink-trimmed dress made famous by Nicole Kidman at the 1997 Oscars. Kidman chose the chartreuse gown from the couture collection, but Bass, who had ordered it first, had to give permission for the dress to be copied. When Bass eventually wore the dress to the New York City Ballet Spring Gala, it had become instantly recognizable. It takes a certain kind of woman to wear a dress that costs as much as a Rolls Royce. When asked "Why did you wear that dress?" She replied "Because I wanted to be invisible," a trademark of Bass, whose sense of humor is second only to her sense of style.

Clockwise: In Gaultier Paris, Spring 2006; In Christian Lacroix, Fall 2003; In Gaultier Paris, Fall 2005; In Christian Lacroix, Fall 2005; In Christian Lacroix, Spring 2003; In Gaultier Paris, Spring 2007.

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How They Wear it: Daphne Guinness

British heiress Daphne Guinness is one of couture’s more flamboyant dressers, and comes from a long line established couture customers. Her grandmother was Diana Mitford, one of the famous three Mitford sisters, who were society beauties in their youth as well as regular clients at the house of Givenchy amongst many others.

A mother of three, Daphne Guinness is the daughter of the brewery heir Jonathan Guinness, aka Lord Moyne, and the youngest of five children. She spent part of her childhood in an artists’ colony in Spain; part of it in Paris, where with her mother, the French beauty Suzanne Lisney, she’d sit in the front row of all the couture shows; and part of it in London, where she’d spend Saturdays in the art-deco room in Biba, drinking strawberry milkshakes and developing her trademark passion for all things feathered.

Over the years Guinness has gained a reputation as a renowned collector of haute couture. "The thing about haute couture, unlike prêt-à-porter clothing, is that you actually have to engage with the process and repeatedly go for fittings," she explained. In an age when consumers seem increasingly obsessed with acquiring the latest “it” bag or shoes, couture’s attraction to Guinness lies in its exclusivity, and the fact that she’s guaranteed a unique product no matter how many times she wears it. She also doesn’t tend to be too reverential with her couture purchases, often combining garments from different designers and seasons, or mixing them with ready to wear pieces to create a distinct look.

When asked how she developed such a strong sense of personal style, her response was, "I grew up in an artists' colony near Barcelona with Salvador Dali and the Surrealists, so my dress sense is very colored by my youth," she explained. "Everybody knew that Dali was the most crazy; you'd go to his house and he would have lobsters in his pool. Anything went, clothes-wise. You could wear whatever you wanted any time of day, so people would wear evening clothes at breakfast time, simple Catalan shoes and hats, lots of brightly colored hippy kaftans and a lot of French, tailored outfits."

Clockwise bottom left: In Chanel Haute Couture, Fall 2006; In Christian Lacroix, Spring 2006; In Givenchy Haute Couture by Alexander McQueen, Spring 2000; In Chanel couture, Spring 2004; In Chanel couture, Fall 2007; Wearing Gaultier’s stuffed Birds of Paradise hairpieces from his Spring 2004 couture collection.

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How They Wear it: Marie-Josée Kravis, Susan Casden, Susan Gutfreund


Left Column
How they wear it: Marie-Josée Kravis

One could be forgiven for assuming the ranks of couture’s buying public are only populated by ladies who lunch and women of leisure. In fact couture also attracts a number of women who are not only financially independent but are at the height of their professional careers. Thus haute couture also counts a number of prominent professionals-doctors, lawyers, and the CEO’s of multinational companies-amongst its most loyal clients, who see couture as a way of projecting a confident and professional image in public. Marie-Josée Kravis is one such client.

A respected economist and author hailing from Montreal, Quebec, today she lives in New York with her husband Henry Kravis, a billionaire financier. She is a senior fellow at the Hudson Institute, President of the Museum of Modern Art (MoMA) in New York, a member of the Council on Foreign Relations and also serves on the International Advisory Board of the New York Federal Reserve Bank. She recently became a member of the Board of the Qatar Museum Authority. In addition to their home in New York, they also maintain a home in Paris, France.
Kravis was a loyal customer at Yves Saint Laurent before his retirement. Today although she doesn’t frequent one specific designer, she is often seen in Chanel and Dior. She’s is an example of a client who understands what works best on her and will try to adapt a designer’s creations to suit her, by removing additional embellishments or requesting a garment in a color unique to her alone.

From top: With her husband Henry Kravis in Chanel haute couture, Spring 2007; In Yves Saint Laurent haute couture, Fall 2001.

Center Column
How they wear it: Susan Casden

The Los Angeles based client Susan Casden is most recognizable as the “couture client” who appeared in the final episode of “Signé Chanel,” Loïc Prigent's documentary which chronicled the final weeks leading up to the showing of Chanel’s Fall/Winter 2004/2005 haute couture collection.

This doyenne of West Coast society, who is the wife of Alan Casden, a real estate billionaire, is reportedly Chanel's top U.S. couture client. “The first couture outfit I ever bought continues to get frequent wear," says Susan Casden of a Chanel ensemble; a black boucle jacket with a white tuxedo blouse and a black lace, tulle and feather skirt purchased after the fall collection in 2000. Over the past five years, Casden has become a serious collector, flying to Paris twice each year to attend the collections and always returning with purchases that display couture's signatures: detailed handiwork, intricate beading and unique fabrics. She is also a customer at the houses of Dior, Givenchy and Gaultier.

Casden recently received the ultimate honor from the House of Hermès (one usually reserved for such icons of fashion such as Grace Kelly and Jane Berkin) when a bag was named after her, “The Susan.” Featuring the signature Birkin closure, the roomy hold-all boasts a multitude of storage compartments. "The shoulder Birkin was quite cumbersome. This one I can take anywhere with ease," explained Casden, who waited one year for it after meeting with Hermès designers last July and traveled to Paris three to four times to monitor its progress. She shied away from revealing its price, but said it was similar to a standard Birkin.

From Top: With her husband Alan Casden; In Gaultier Paris, Fall 2006.

Right Column
How they wear it: Susan Gutfreund

A former Pan Am flight attendant, Mrs. Gutfreund hit the pages of fashion magazines 20 years ago with a splash when she accumulated a sizable haute couture wardrobe during the heyday of the stock market boom of the 80’s and early 90’s. She is the second wife of John H. Gutfreund, who ran one of Wall Street's powerhouse securities firms at the time.

During this period she frequently traveled by Concorde between her homes in New York and Paris, where she lives with her husband , in a sumptuous hotel particulier off the Boulevard Saint-Germain. In New York she spent $20 million with the French decorator Henri Samuel adding a staircase to her Fifth Avenue duplex that was almost as grand as the one in her Paris home.

With an encyclopedic knowledge of furniture and textiles, she recently set up her own interior design business and often speaks of her love of fabric innovations and embellishments, especially with regards to haute couture.
From Top: With her husband John Gutfreund photographed in Paris; In Chrisrian Lacroix Haute Couture, Fall 2005.
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How They Wear it: Lynn Wyatt

Houston socialite Lynn Wyatt is not only a charter member of the international jet set but she is also considered one of haute couture’s most glamorous and loyal customers. Frequently appearing at charity galas (there is not a major event in New York, Los Angeles, San Francisco, London or Paris that she’s liable to miss) Mrs. Wyatt can often be seen in the pages of Vogue and W in couture’s latest creations.

For decades she was also single handedly responsible for putting Houston on the international social map. During the height of the oil boom in the 1970s and early '80s, the Wyatt mansion witnessed a string of parties for the likes of Princess Grace, Bill Blass, Mick Jagger, and Elton John amongst many others.

It has been said that Wyatt's staying power as a reigning socialite is due largely to her ability to create an image that evokes both old and new money. Wyatt herself didn’t come from enormous wealth, but acquired it through her marriage to Oscar Wyatt, an oil and natural gas tycoon. Despite her modest background she never gives off the impression of being nouveau riche. At society gala’s, amid a sea of taffeta gowns and flashy jewels, she can be found in a designer’s most streamlined creations, often accessorized with a single broach of expertly cut diamonds. She is a woman with that rare ability to not only carry couture clothes well but also convincingly, as if she were born to wear them.

Clockwise: Wyatt during a fitting at the house of Lacroix in the early 80’s; In Chanel couture, Fall 2007; In Valentino couture at the designer’s 45th anniversary celebrations in Rome; Pictured with Karl Lagerfeld at the Rose Ball in Monte Carlo; In Chanel Couture, Fall 2006.

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